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The power of Bollywood

A study on opportunities, challenges, and audiences’ perceptions of Indian cinema in China

Bibliographic Data

ID21215433
AuthorsYanyan Hong (0000-0002-8802-7640, The University of Queensland, corresponding author)
Year2021
Volume6
Issue3
Pages345-363
Publication date2021-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGlobal Media and China (JOURNAL)
Journal identifiersISSN: 2059-4364 • E-ISSN: 2059-4372
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/20594364211022605
OpenAlexW3172024986
LanguageEN
Citations received5
References cited19

India has long been known for its prestigious Mumbai-based film industry, namely Bollywood, and remains by far the largest producer of films in the world. With the growing global reach of Indian cinema, this study looks at an intriguing Indian-film fever over the last decade in the newly discovered market of China. Through examining key factors that make Indian films appealing to Chinese and exploring the opportunities and challenges of Indian cinema in China, this article draws upon insights gained from the narratives of local audiences. Data were collected from semi-structured interviews with 32 Indian-film audiences residing across 14 different cities in mainland China. Thematic analysis identified the following five appealing factors, which explain why the Chinese enjoy Indian films: content-driven story, social values, star power, audience reviews and cultural connections. While a comprehensive list of opportunities was derived showing the potential future of Bollywood in China, results found that China’s unique institutional context and an ongoing India–China geopolitical tensions also present challenges, which in turn add to the overall complexity of films’ success in the Chinese market. This article argues the powerful role of Bollywood in bridging cultures and improving India–China ties, as Indian films have made Chinese people more aware of India in a favourable way

Advertising · Art · Business · China · Geography · Geopolitics · Literature · Mainland China · Media studies · Movie theater · Narrative · Political science · Politics · Qualitative research · Social science · Sociology · Soft power · Thematic analysis · Cinema and Media Studies · History · Socioeconomic Development in Asia · South Asian Cinema and Culture

  • Decoding Gender

    Open Access•Hitender Sehrawat, Paaige K Turner et al.•Journal of Creative Communications•2025

  • The Chinese Love Affair with Indian Films

    Open Access•Muhammad Yaqoub, Zhang Jingwu et al.•India Quarterly A Journal of…•2023

  • Soft Power in emerging economies

    Open Access•Ricardo E Buitrago R, James Rajasekar et al.•International Area Studies Review•2023

  • Assess the Proposition That India Will Become the Next Superpower

    Open Access•Damien Ng•Journal of Asian and African…•2023

  • Exploring the Popularity and Acceptability of Indian and South Korean Films among Chinese Audiences

    Open Access•Muhammad Yaqoub, Zhang Jingwu et al.•SAGE Open•2024

  • Bollywood

    Tejaswini Ganti, Derek Bose•Bollywood unplugged•2004

  • A Purposeful Approach to the Constant Comparative Method in the Analysis of Qualitative Interviews

    Open Access•Hennie Boeije•Quality & Quantity•2002

  • InterViews

    Open Access•David J Flinders•Evaluation and Program Planning•1997

  • From “ghetto” to mainstream

    Haseenah Ebrahim•Scrutiny2•2008

  • Playing to the World's Biggest Audience

    Michael Curtin•Playing to the World's Biggest…•2007

  • Soft power

    Joseph S Nye•Soft power•2004

  • Power and Interdependence in the Information Age

    Robert O Keohane, Joseph S Nye•Foreign Affairs•1998

Unique citing works5
Citations per year1,67
Citation span2023 - 2025 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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