Imaging Evil in the First Chapters of Genesis

Texts behind the Images in Eastern Orthodox Art

Bibliographic Data

ID21219616
AuthorsMargarita Kuyumdzhieva (0000-0001-7608-9206, Bulgarian Academy of Sciences, corresponding author)
Year2016
Volume6
Pages377-396
Publication date2016-12-30
Open AccessYes
TypeARTICLE
VenueStudia Ceranea Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europe (JOURNAL)
Journal identifiersISSN: 2084-140X • E-ISSN: 2449-8378
PublisherUniwersytet Lodzki (University of Lodz) (PUBLISHER)
DOI10.18778/2084-140x.06.19
OpenAlexW2618710177
LanguageEN
References cited22

Satan’s interference in the events described in the first chapters of the book of Genesis and in the life of the protoplasts is not mentioned at all in the biblical text. This happens, however, in pseudo-canonical texts. The article is a short survey on the apocryphal accounts that mention Satan and their influence on art. The main focus is put on the inclusion of the image of Satan behind Cain’s figure in a number of depictions of the scene The Murder of Abel in the Russian art of the 16th and 17th centuries. The possible links between this visual motif with several literary sources is examined, among them the Short and the Explanatory Palaea, the Tale of Bygone Years (Povest’ vremennykh let or Primary Chronicle), Russian recensions of the apocryphon The Sea of Tiberias, and of The Revelation of Pseudo-Methodius of Patara. In addition, some instances of the same visual decision in Balkan art are pointed out and their connection to Russian models is underlined

Aesthetics · Art · Literature · Revelation · Byzantine Studies and History · Eurasian Exchange Networks · Historical and Religious Studies of Rome · History · Philosophy

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