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Attaching Hollywood to a Surveillant Assemblage

Normalizing Discourses of Video Surveillance

Bibliographic Data

ID21224888
AuthorsRandy K Lippert (0000-0001-8688-6874, University of Windsor), Jolina Scalia (University of Windsor)
Year2015
Volume3
Issue3
Pages26-38
Publication date2015-10-20
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia and Communication (JOURNAL)
Journal identifiersISSN: 2183-2439 • E-ISSN: 2183-2439
PublisherCogitatio (PUBLISHER • PT)
DOI10.17645/mac.v3i3.286
OpenAlexW1799975633
LanguageEN
Citations received1
References cited31

This article examines video surveillance images in Hollywood film. It moves beyond previous accounts of video surveillance in relation to film by theoretically situating the use of these surveillance images in a broader “surveillant assemblage”. To this end, scenes from a sample of thirty-five (35) films of several genres are examined to discern dominant discourses and how they lend themselves to normalization of video surveillance. Four discourses are discovered and elaborated by providing examples from Hollywood films. While the films provide video surveillance with a positive associative association it is not without nuance and limitations. Thus, it is found that some forms of resistance to video surveillance are shown while its deterrent effect is not. It is ultimately argued that Hollywood film is becoming attached to a video surveillant assemblage discursively through these normalizing discourses as well as structurally to the extent actual video surveillance technology to produce the images is used

Archaeology · Art · Art history · Hollywood · Media studies · Social science · Sociology · Gothic Literature and Media Analysis · History · Media Studies and Communication · Rhetoric and Communication Studies

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Unique citing works1
Citations per year0.11
Citation span2017 - 2017 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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