“Baby, we were born this way”
A critical discourse analysis of U.S. gay men’s discussions of diva-worship and feminism
Bibliographic Data
| ID | 21234993 |
|---|---|
| Authors | Ekkarat Ruanglertsilp (0000-0003-3707-3003, University of Groningen, corresponding author) |
| Year | 2026 |
| Volume | 15 |
| Issue | 2 |
| Pages | 200-236 |
| Publication date | 2026-06-25 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Language and Sexuality (JOURNAL) |
| Journal identifiers | ISSN: 2211-3770 • E-ISSN: 2211-3789 |
| Publisher | John Benjamins Publishing Company (PUBLISHER • NL) |
| DOI | 10.1075/jls.24017.rua |
| OpenAlex | W7165840613 |
| Language | EN |
| References cited | 20 |
This study examines how certain U.S. gay men, who identify as fans of female vocalists, engage with the feminist ideologies found in pop diva culture and with the gay male stereotype of diva-worship. Previous studies investigated how the discourses of female empowerment are formulated in divas’ song lyrics. However, little empirical literature on gay men’s perceptions toward divas’ lyrics and personae has been explored. To bridge this gap, my research utilizes the tools of critical discourse analysis in semi-structured, in-depth interviews. Interviews were recorded from 21 gay male participants who were categorized into three age groups — 25–34, 35–45, and 45+. The data were then transcribed and uploaded to the software MAXQDA for coding. Using a combination of discourse analysis approaches, gay male subjectivity, and post-feminism, data were compared to formulate conceptual themes. The findings suggest that certain gay men deploy the discourse of diva-worshipping to move beyond a generalized fandom conversation to engage with the discussions of U.S. gender politics. The findings also indicated insightful ways of how these gay men came to their novel understandings of womanhood through the diva-worship practice while also seeking meaningful and self-empowering ways to identify with their divas and what they represent
Conversation · Critical discourse analysis · Discourse analysis · Femininity · Ideology · Stereotype (UML) · Indian and Buddhist Studies · Music History and Culture · South Asian Cinema and Culture
Methods of Critical Discourse Studies
The Discourse-Historical Approach
Collocations and semantic profiles
Understanding Fandom
Discourse of Self-Empowerment in Ariana Grande’s ‘thank u, next’ Album Lyrics
Gay men and drag
Pregnancy, Then It's “Back To Business”
Queerbaiting
They were not drag queens, they were playboy models and bodybuilders’
Discourses of Friendship between Heterosexual Women and Gay Men
Sex and the City
Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation
Drag Queens' Use of Language and the Performance of Blurred Gendered and Racial Identities
Camp talk and citationality
Respondent-Driven Sampling
| Highly cited | No |
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