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Features of the development of books of poems in modern Russian-language poetry of Mordovia (on the material of the poetry books by A. M. Sharonov «The Monologues» and S. Yu. Senichev «Grapes in Chocolate, or Compounding»)

Bibliographic Data

ID21236199
AuthorsP Gudkova (0000-0002-5894-6347), A V Khozyajkina (0000-0001-8059-5996, National Research Mordovia State University, corresponding author)
Year2021
Volume11
Issue1
Pages16-24
Publication date2021-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBulletin of Ugric studies (JOURNAL)
Journal identifiersISSN: 2220-4156 • E-ISSN: 2587-9766
PublisherOb-Ugric Institute of Applied Researches and Development (PUBLISHER • RU)
DOI10.30624/2220-4156-2021-11-1-16-24
OpenAlexW3173060642
LanguageEN
Citations received1

Introduction: the article is devoted to the study of the development of books of poems as a major genre form in modern Russian-language poetry of Mordovia and fits into the complex of Russian literary studies concerning the peculiarities of the development of the Finno-Ugric literary process. In the course of the research, the typological features of a thematic and «final» book of poems are revealed; the poetological features of this genre in the works of the poets of Mordovia belonging to the «traditional» and «avant-garde» paradigm are analyzed. Objective: to analyze the main trends of the development of a book of poems in the literary process of Mordovia. Research materials: the poetry books by A. M. Sharonov «The Monologues» and S. Yu. Senichev «Grapes in Chocolate, or Compounding». Results and novelty of the research: the analysis of the modern Russian-language poetry of Mordovia has shown that today there are two ideological and artistic paradigms: «traditional» paradigm based on the experience of classical Russian poetry and «avant-garde» paradigm developing with the support of postmodern experiments. The diversity of poetic practices makes it possible to determine the ways of development of a book of poems in the poetic process of the republic. In the creative works of the poets of Mordovia two genre-specific forms, such as thematic and «final», are developing. Moreover, the traditional poets most often comprehend the problems concerning the preservation of the national identity of the Mordovian people. They poetically sum up the plots and images of national mythology and folklore. The genre form of a «final» book of poems allows the most representative to convey the scale of significant historical and sociocultural events of the era, as well as to present the author’s biography against the background of these events. The avant-garde poets, on the contrary, move away from national attributes. The associative and metaphorical principle of constructing a book of poems becomes more important for them, where along with the lyrical understanding of the world there is a philological game, intertextuality, and allusiveness. Through the techniques of literary play authors often express nostalgia for lost values. The analysis of the poetic of the books of poems by A. M. Sharonov and S. Yu. Senichev will allow not only to determine the features of their creative manner, but also to trace the ways and character of the development of modern Russianlanguage poetry in Mordovia as a whole

Art · Linguistics · Literature · Poetry · Discourse Analysis and Cultural Communication · History · Philosophy

  • The image of Life in the epic “Mastorava” by A. M. Sharonov

    Open Access•E A Sharonova, Oksana P Ingle•Finno-Ugric World•2022

Unique citing works1
Citations per year0.25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo

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