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Musical Contributions to Belarusian Orthodoxy

Research Scope and Hypotheses

Bibliographic Data

ID21241652
AuthorsMoscow State Tchaikovsky Conservatory (Moscow Conservatory, corresponding author), Nikolai Denisov (0000-0002-5147-2767, Moscow Conservatory)
Year2019
Volume7
Issue4
Pages1349-1359
Publication date2019-01-01
Open AccessYes
TypeARTICLE
VenueQuaestio Rossica (JOURNAL)
Journal identifiersISSN: 2311-911X • E-ISSN: 2313-6871
PublisherUral Federal University (PUBLISHER • RU)
DOI10.15826/qr.2019.4.443
OpenAlexW2994696159
LanguageEN

This review considers a work by L. A. Gustova-Runtso, a Belarusian scholar, devoted to the history of Orthodox singing culture in the historical lands of Belarus. The study traces the main stages in the formation of this culture, identifying the principal spiritual and cultural centres of singing which influenced its formation. The author describes periods of “survival” during historically and religiously difficult periods when Orthodoxy was under pressure from Catholicism and then uniatism. Of particular interest is the coverage of the twentieth century, a time of persecution for Orthodoxy and its culture

Aesthetics · Archaeology · Art · Literature · Management · Musical · Orthodoxy · Persecution · Political science · Singing · Sociology · Bryophyte Studies and Records · Eastern European Communism and Reforms · European Cultural and National Identity · History · Law

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