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The Forced Happiness of Space Colonisation

The Soviet Project in Science Fiction

Dados Bibliográficos

ID21241954
AutoresTatiana Khoruzhenko (0000-0002-0477-7517, Ural Federal University, autor correspondente)
Ano2019
Volume7
Fascículo3
Páginas761-775
Data de publicação2019-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoQuaestio Rossica (JOURNAL)
Identificadores do periódicoISSN: 2311-911X • E-ISSN: 2313-6871
EditoraUral Federal University (PUBLISHER • RU)
DOI10.15826/qr.2019.3.406
OpenAlexW2979078864
IdiomaEN
Referências citadas3

Connected with ideas of innovation, Soviet science fiction explored the topic of space and contacts with extra-terrestrials. Starting in the 1960s, this literature was concerned with the idea of earthlings helping other civilizations to achieve a new level of life. Soviet science fiction thus put forward the idea of forced happiness, which fitted very well with the utopian foundations of Soviet culture. This article focuses on I Will Be Back in a Thousand Years (1969), a once-popular but little-studied novel by Isai Davydov, a Ural writer. The idea of forced happiness is verified two times in the novel: through the construction of an ideal society of young people on Earth and the functioning of a similar society on another planet, and through an attempt to contact savages. In the end, it transpires that building an ideal society is troublesome and that the savages do not need any help from earthlings. Davydov’s novel is studied in the context of Soviet science fiction novels about contacts with other civilizations, from Aelita by A. Tolstoy to the ‘progressor’ cycle by the Strugatsky brothers. The utopian character of ‘progressorism’ in the works of the Strugatsky brothers is extolled and logically completed in the sequel of Davydov’s novel (2013), where progressors manage to ‘civilise’ savages. The author concludes that the idea of progressorism is important for Soviet science fiction beyond the works of the Strugatsky brothers, although it is most frequently considered in the context of their oeuvre. In Davydov’s novel, the characters regard themselves as gods for the savages, but, unlike the characters of the Strugatsky brothers, they do not consider this mission a burden. This is one of the distinctive features of Soviet science fiction: ‘average’ characters become equal to gods and struggle with time itself in order to secure a happy future for the entire galaxy

Aesthetics · Art · Epistemology · Happiness · Literature · Political science · Sociology · History · Law · Mathematics · Philosophy · Space Science and Extraterrestrial Life

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