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Lithuanian Theatres During the Covid-19 Pandemic

An Eagerness to Create and to Watch

Bibliographic Data

ID21243519
AuthorsAsta Petrikienė (Vilnius Gediminas Technical University, corresponding author)
Year2023
Volume16
Issue2
Pages529-540
Publication date2023-08-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCreativity Studies (JOURNAL)
Journal identifiersISSN: 2345-0487 • E-ISSN: 2345-0479
PublisherVilnius Gediminas Technical University (PUBLISHER • LT)
DOI10.3846/cs.2023.19042
OpenAlexW4386329386
LanguageEN
References cited13

The unprecedented circumstances created by the COVID-19 pandemic significantly changed the usual processes of work throughout the creative industries. In case of theatre, the companies could no longer perform in the usual facilities and rehearsals were restricted. Theatre artists reacted differently to the new conditions dictated by the COVID-19 pandemic. Facing restrictions of working in contact mode some sought ways to adapt and not only create but also present performances to audiences online, others chose to deny the forms of mediatized theatre, as if waiting for the times to change. The aim of this article is to review the dynamics of theatre attendance in Lithuania in the 2018–2020 period. Data from yearly reports of state funded theatres reveal how many viewers visited Lithuanian theatres physically and how many performances were watched online. The analysis of this data provides an insight into the changes in the number of viewers compared to the pre-COVID-19-pandemic years and answers the question of whether performances on Internet platforms attracted a significant number of online audiences. The results of the analysis are indicative of the sustainability of the demand for views of performances online

2019-20 coronavirus outbreak · Attendance · Lithuanian · Operating theatres · Pandemic · Political science · Public relations · Sociology · The Internet · World Wide Web · Cinema and Media Studies · Computer Science · Cultural Industries and Urban Development · Engineering · Law · Medicine · Theatre and Performance Studies

  • The Transformative Power of Performance

    Erika Fischer-Lichte•Transformative Power of Performance•2008

  • The Theater And The Pandemic

    Open Access•Ramona-Petronela Iacobuţe•Theatrical Colloquia•2020

  • Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)

    Open Access•Sarah Bay-Cheng•Theatre Research International•2023

  • Post-performance

    Open Access•Ulf Otto•Theatre Research International•2023

  • ‘Close but Far, Human but Square, Normal but Exhausting’

    Open Access•Anna R BurzyñSka•Theatre Research International•2023

Citation velocityhistorical
Highly citedNo

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Open DOIOpen Access
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