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On the Conception of the Creative in Natural Science and Philosophical Reflections Thereof

Bibliographic Data

ID21243662
AuthorsNerijus Stasiulis (0000-0001-9925-4120, Vilnius Gediminas Technical University, corresponding author)
Year2015
Volume9
Issue1
Pages42-52
Publication date2015-12-13
Open AccessYes
TypeARTICLE
VenueCreativity Studies (JOURNAL)
Journal identifiersISSN: 2345-0487 • E-ISSN: 2345-0479
PublisherVilnius Gediminas Technical University (PUBLISHER • LT)
DOI10.3846/23450479.2015.1114041
OpenAlexW2281471787
LanguageEN
Citations received5
References cited4

The article discusses creativity as an ontological principle as it is presented in scientific-philosophical attitudes of a Nobel Prize winner for chemistry Ilya Prigogine and Werner Heisenberg’s pupil and a former director of the Max Planck Institute for Physics Hans-Peter Dürr. These attitudes are assessed in the light of Heideggerian notions of Being, subiectum, ousia and time and thus they themselves shed light on the potentiality of Heideggerian mode of thinking on the conception of the creative in the postmodern society and science. Bergsonian notion of creativity is also invoked. It is presented as a philosophical basis of the postmodern techno-scientific creativity and is discussed in terms of Heideggerian ecstatic temporality. The juxtaposition of the notions presented by Henri Bergson and Martin Heidegger provides the clue to compare and assess the science-based attitudes of Prigogine and Dürr

Creativity · Epistemology · Ilya · Postmodernism · Temporality · Creativity in Education and Neuroscience · Philosophy · Psychology

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    Open Access•Marleny Leasa, John Rafafy Batlolona et al.•Creativity Studies•2021

  • Communicative Creativity

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  • The Human Condition

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  • Geometry and Monadology

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Citations per year0.56
Citation span2017 - 2021 (5)
Highly citedNo

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