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Una nova interpretació de la imatge lul·liana de l’amic i l’amat a partir de la seva diacronia

Metàfora, tema i símbol

Bibliographic Data

ID21246611
AuthorsArnau Vives Piñas (0000-0002-8874-1430, Universitat Ramon Llull, corresponding author)
Year2022
Volume9
Pages91-128
Publication date2022-12-07
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMagnificat Cultura i Literatura Medievals (JOURNAL)
Journal identifiersISSN: 2386-8295 • E-ISSN: 2386-8295
PublisherUniversitat de Valencia (PUBLISHER • ES)
DOI10.7203/mclm.9.24083
OpenAlexW4311955862
LanguageCA
References cited1

This paper presents a new interpretation of the Lullian image of the lover and the beloved. It is based on the analysis of the image through the whole Ramon Llull's opus. It examines the diachrony of its evolution during thirty years and twenty-three books, from the Liber contemplationis (1273-74) to the Ars brevis (1308). This analysis, undertaken out of our preparation of a conceptually lemmatised database (the Corpus Digital d’Amic i Amat, CDAIA), suggests a new interpretation of the meaning of this image in Llull’s production and thought. Firstly, the lexicalization of the loved-beloved image as a metaphor and its ontological meaning is described. Secondly, the fiction plotline constructed during this evolution is analysed. Thirdly, the loved-beloved image is interpreted as an exemplum for its symbolic value. This metaphor works as a tool to transmit Llull’s project for a spiritual renovation, based on the Ars Lulliana

Art · Humanities · Liana · Archaeological and Historical Studies · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies

  • Ramon Llull i l’obscuritat que il·lumina. Apunts sobre l’origen i la rendibilitat literària d’un recurs exegètic

    Open Access•Joan Santanach i Suñol•Anuario de Estudios Medievales•2015

Citation velocityhistorical
Highly citedNo

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