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City Noir by John Adams

A Way to Interpretation

Bibliographic Data

ID21254107
AuthorsTatiana V Tsaregradskaya (0000-0002-8436-712X, corresponding author)
Year2023
Issue4
Pages68-103
Publication date2023-01-01
Open AccessYes
TypeARTICLE
VenueContemporary Musicology (JOURNAL)
Journal identifiersISSN: 2587-9731 • E-ISSN: 2587-9731
PublisherThe Gnesins Russian Academy of Music (PUBLISHER)
DOI10.56620/2587-9731-2023-4-068-103
OpenAlexW4390737329
LanguageEN
Citations received1
References cited6

John Coolidge Adams is at the present times is one of the leading composers of the USA. Being a conductor of world renown, he composes particularly frequently for the orchestra — the musical means that is the closest for the composer. In 2009 he composer City Noir — a three-movement orchestral piece inspired by an entire “bouquet” of sources. Among them is the culture and the spirit of the West Coast of the USA in general and of California in particular, the aura of Los Angeles and the era in the life of the city connected with the emergence of films in the style of “noir.” It is referred to the time period of the 1940s and the 1950s with their half-criminal romanticism of night-time adventures, bold energies and a blood-bustling freedom. Dedicated to conductor Dudamel, the orchestral composition City Noir balances in terms of genre between a three-movement symphony, a soundtrack to a film and a jazz suite, relegating the listener’s imagination to the cult figures in jazz during the 1950s, the experience of composing in the jazz idiom (among such composers as Milhaud and Gershwin) and to elements of ekphrasis (referring to Wat Disney’s unique concert hall constructed by the ingenious architect Frank Gary). The article provides an overview of all the sources of Adams’ musical ideas and engages in the attempt to interpret the result of the composer’s work

Adventure · Aesthetics · Art · Art history · Concerto · Cult · Jazz · Literature · Musical · Performance art · Piano · Romanticism · Symphony · Cinema and Media Studies · History · Music History and Culture · Photography and Visual Culture

  • Contemporary Music as Reflected in Scholarly Texts

    Open Access•Yulia N Panteleeva•Contemporary Musicology•2025

  • Adams, John

    Sarah Cahill, Mark Alburger•The new Grove dictionary of music…•2001

  • Are Classical Musicians Excluded from Improvisation? Cultural Hegemony and the Effects of Ideology on Musicians’ Attitudes Towards Improvisation

    Open Access•Jonathan Ayerst•Contemporary Music Review•2021

  • Re-Thinking Virtuosity for the Hybrid Era of Multifarious Approaches

    Open Access•Linda Jankowska•Contemporary Music Review•2023

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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