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Touch vs. Technology

Towards a Politics of Affect in Mohsin Hamid’s Exit West (2017) and Kamila Shamsie’s Home Fire (2017)

Bibliographic Data

ID21256208
AuthorsAsha Sen (University of Wisconsin–Eau Claire, corresponding author)
Year2022
Volume9
Issue1
Publication date2022-04-05
Open AccessNo
TypeARTICLE
VenueJournal of Global Postcolonial Studies (JOURNAL)
Journal identifiersISSN: 2643-8380 • E-ISSN: 2643-8399
PublisherUniversity Press of Florida (PUBLISHER)
DOI10.5744/jgps.2021.0002
OpenAlexW4226263744
LanguageEN

In 2019, the number of global migrants reached an estimated 272 million—an increase of 51 million since 2010—making up 3.5 percent of the global population compared to 2.8 percent in 2000 (UN department of Economic andSocial Affairs). This makes the number of forcibly displaced people the highest it has ever been since the Second World War (Perfect 188). Since 9/11, however, media coverage of terrorist attacks—such as the March 11, 2004Madrid attacks; the July 7, 2005 London attacks; the January 7, 2015 Paris attacks on Charlie Hebdo; and most recently, the knifing of French school teacher Samuel Paty on October 21, 2020—have caused migrant identity tobe conflated with terrorism in the popular imagination. As Homi Bhabha points out, “When eight terrorists in a music hall can be seen at will on billions of screen devices across the world holding Paris hostage, ‘quantity’ does not quell fear, anxiety or hysterical Islamophobia” (709)

Aesthetics · Art · Art history · Conflation · Islamophobia · Media studies · Political science · Politics · Population · Sociology · Terrorism · Demography · Digital Economy and Work Transformation · History · Law

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