Rezension des Unrezensierbaren
J. C. Lobe über K. Freigedank. J. C. Lobe on K. Freigedank
Bibliographic Data
| ID | 21291754 |
|---|---|
| Authors | Albrecht Riethmüller (Em. Professor für Musikwissenschaft an der Freien Universität Berlin, corresponding author) |
| Year | 2023 |
| Volume | 80 |
| Issue | 1 |
| Pages | 2-13 |
| Publication date | 2023-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Archiv für Musikwissenschaft (JOURNAL) |
| Journal identifiers | ISSN: 0003-9292 • E-ISSN: 2366-2794 |
| Publisher | Wissenschaftliche Verlagsgesellschaft mbH (PUBLISHER • DE) |
| DOI | 10.25162/afmw-2023-0001 |
| OpenAlex | W4367723711 |
| Language | EN |
Richard Wagner’s essay Das Judenthum in der Musik, published under the pseudonym K. Freigedank in September 1850, was anonymously reviewed by music writer and theorist Johann Christian Lobe in January 1851. Wagner published a revised version of the article in 1869 as a separate publication under his own name, and in the same year Lobe reprinted a virtually unchanged version of his review as the opening chapter of his collection of writings Consonanzen und Dissonanzen. The following study is in two parts: first, Wagner’s 1869 version of his pamphlet is examined from the perspective of Cosima von Bülow and Friedrich Nietzsche, followed by a review of the strategies Lobe used to contend with racism in writings on music
Art · German Literature and Culture Studies · Musicology and Musical Analysis · Nietzsche, Schopenhauer, and Hegel
| Highly cited | No |
|---|