Massinger’s Strange Pirates
Strangeness, Law(s) and Genre in The Double Marriage and The Unnatural Combat
Bibliographic Data
| ID | 21309513 |
|---|---|
| Authors | Susanne Gruß (0000-0002-7584-3403, Visiting Professor, Bonn University, Germany and Senior Lecturer, FAU Erlangen-Nürnberg, Germany [email protected], corresponding author) |
| Year | 2022 |
| Volume | 34 |
| Issue | 2 |
| Pages | 80-92 |
| Publication date | 2022-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Critical Survey (JOURNAL) |
| Journal identifiers | ISSN: 0011-1570 • E-ISSN: 1752-2293 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/cs.2022.340207 |
| OpenAlex | W4225094343 |
| Language | EN |
| Citations received | 1 |
This article analyses the pirate figures in The Double Marriage (1619–22) and The Unnatural Combat (1624–26) by delineating the crucial role of strangeness in the depiction of piracy on the one hand and the generic status of these plays on the other. In both texts, the main pirate figure moves from strange outsider to morally upright anti-hero. Strangeness (and with it, piracy) thus serves to question and undermine the stability of the social status quo. Strangeness and unnaturalness also inherently affect the generic status of both plays. In The Unnatural Combat , a revenge plot becomes obsolete with the death of one of the protagonists; and The Double Marriage becomes strange in its undermining of generic expectations, generating a tragicomic plot and at least three different revenge plots
Art · Depiction · HERO · Literature · Physics · Plot (graphics) · Political science · Sociology · Status quo · Strangeness · Global Maritime and Colonial Histories · History · Law
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |