The Development of Museology in 1930s China
Western Influences and Early Reflections
Bibliographic Data
| ID | 21309845 |
|---|---|
| Authors | Daphné Sterk (0009-0004-7065-3186, Research Institute for the Humanities (RIH), The Chinese University of Hong Kong Ma Liu Shui Hong Kong, corresponding author) |
| Year | 2025 |
| Volume | 68 |
| Issue | 4 |
| Pages | 656-672 |
| Publication date | 2025-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Curator The Museum Journal (JOURNAL) |
| Journal identifiers | ISSN: 0011-3069 • E-ISSN: 2151-6952 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/cura.12676 |
| OpenAlex | W4411256532 |
| Language | EN |
| References cited | 6 |
This article explores the emergence of museology in China during the 1930s, tracing its development through the establishment of the Museums Association of China and the analysis of early publications. It examines the influence of Western concepts on Chinese museum theory and practice, particularly regarding exhibition techniques. Despite a primary theoretical focus, efforts were made to implement pioneering approaches. The study reveals the complexity of early Chinese museums, reflecting the tensions between national essence and foreign influence. These institutions played a critical role in the discourse on cultural identity and nation building, highlighting the delicate balance between preserving heritage and embracing Western methodologies. Through this lens, the article sheds light on the early days of museums in Republican China amidst political, intellectual, and cultural transformations
Archaeology · China · Political science · Chinese history and philosophy · History · Japanese History and Culture · Museology · Museums and Cultural Heritage
| Highly cited | No |
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