A postcolonial Pannenberg? Mimicry, the law, and the cross of love

This paper employs the postcolonial concepts of mimicry and hybridity to interpret Wolfhart Pannenberg's understanding of the violence done to Jesus on the cross and the subversive reconciliatory love that it engenders. According to Pannenberg, although the man Jesus was crucified as blasphemer of the Jewish law, the resurrection vindicated Jesus so that the ones accusing Jesus were retroactively deemed to be the actual blasphemers. As a result, Jesus ended up dying not for his own alleged breaking of the law, but as an inclusive substitute for all blasphemers of God (through amour propre ) deserving death. Thus, the resurrection confirmed Jesus’ divine identity and his earthly teaching that love supersedes and transforms the law. Applying the concept of mimicry to Pannenberg, on the cross the symbolic and semiotic are held together in tension for in mimicry the “not‐quite sameness” menaces the colonizer. The cross, ostensibly a symbolic sign of abjection, is mimicked by the suffering of Jesus and subverted through a practice of inclusive semiotic love which recapitulates sinful human life toward a life of transformed autonomy. Pannenberg displays a pseudo postcolonial understanding of subverting oppressive law into love. However, on account of his futurist ontology, the eschatological totality is underscored relative to formative experiences, leaving him vulnerable to postcolonial critiques of essentialism, which can reinscribe colonialism. I contend that Pannenberg employs a strategy of “strategic particularism” in which concepts such as mimicry and hybridity are helpful as hermeneutical tools but ultimately provisional and temporary relative to the whole

Aesthetics · Art · Epistemology · Essentialism · Hybridity · Identity (music) · Literature · Mimicry · Psychoanalysis · Semiotics · Sociology · Anthropology · Biblical Studies and Interpretation · Colonialism, slavery, and trade · Marriage and Sexual Relationships · Philosophy · Psychology