The Pied Piper’s pipe
Bibliographic Data
| ID | 21319552 |
|---|---|
| Authors | Ian Thomson (0000-0002-9359-2855, Independent ScholarLondonEngland, corresponding author) |
| Year | 2020 |
| Volume | 61 |
| Issue | 1-2 |
| Pages | 128-137 |
| Publication date | 2020-06-25 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Fabula (JOURNAL) |
| Journal identifiers | ISSN: 0014-6242 • E-ISSN: 1613-0464 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/fabula-2020-0007 |
| OpenAlex | W3041516605 |
| Language | EN |
The story of the Pied Piper attracting rats and children away from the town of Hameln by playing music on a pipe is well known. Artists and writers inspired by the legendary magical qualities of the pipe have associated it with a variety of flutes, bagpipes, and whistles. However, scant academic attention has been paid to what kind of medieval pipe might actually have influenced this unusual story, nor indeed why a pipe, and not perhaps a string or brass instrument, was considered relevant. This essay examines the literature afresh, from musicological and cultural viewpoints
Aesthetics · Art · Art history · Flute · Literature · String (physics) · Theoretical physics · Variety (cybernetics) · Viewpoints · Visual arts · Computer Science · Diverse Musicological Studies · Folklore, Mythology, and Literature Studies · Historical and Archaeological Studies · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |