Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Legends of Lace

Commerce and Ideology in Narratives of Women’s Domestic Craft Production

Bibliographic Data

ID21319563
AuthorsDavid Hopkins (0000-0001-5521-7408, corresponding author), David Hopkin (Hertford College Catte Street, OX1 3BW Oxford Great Britain)
Year2021
Volume62
Issue3-4
Pages232-258
Publication date2021-11-11
Open AccessYes
TypeARTICLE
VenueFabula (JOURNAL)
Journal identifiersISSN: 0014-6242 • E-ISSN: 1613-0464
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/fabula-2021-0013
OpenAlexW3168408331
LanguageEN
References cited2

Although a relatively recent invention (c. 1500), many legends have accumulated around the origins of lace, more than have been recorded for other crafts. Almost every region involved in pillow or needle lace had its own origin story: I will concentrate on those circulating in Italy, Catalonia, France, Belgium, and England. Lacemaking was a poorly paid, dispersed and overwhelmingly female occupation, but none the less it had a strong craft tradition, including the celebration of particular saints’ feastdays. The legends drew on elements of this work culture, and especially the strong connections to royal courts and the Catholic Church, but they did not originate among lacemakers themselves. Rather they were authored by persons – lace merchants and other patrons – who in the nineteenth century took on the task of defending homemade lace in its drawn-out conflict with machine-made alternatives. Legends first circulated in print, in lace histories, newspapers and magazines, before transferring to other media such as the stage, historical pageants, even the visual arts. More recently they have continued to propagate on the web. While not originally oral narratives, they behave much like legends in oral storytelling environments: they are usually unsourced; they accumulate and shed motifs; they adapt to new circumstances and audiences. They were told with the intention of creating a special status for handmade lace, and to mobilize protectors and consumers

Art · Craft · Ideology · Literature · Media studies · Narrative · Newspaper · Political science · Politics · Sociology · Storytelling · The arts · Visual arts · Woodcut · Fashion and Cultural Textiles · Historical Art and Culture Studies · Historical Gender and Feminism Studies · History · Law

  • Fine Fingers

    Elaine Freedgood•Victorian Studies•2003

Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae