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Defying Tyranny

Bibliographic Data

ID21320596
AuthorsRamzi Fawaz (corresponding author)
Year2025
Volume78
Issue4
Pages61-74
Publication date2025-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFilm Quarterly (JOURNAL)
Journal identifiersISSN: 0015-1386 • E-ISSN: 1533-8630
PublisherUniversity of California Press (PUBLISHER • US)
DOI10.1525/fq.2025.78.4.61
OpenAlexW4411084129
LanguageEN
Citations received1

This essay argues that the popularity of the recent blockbuster film adaptation of Gregory Maguire’s novel Wicked lies in the film’s sustained investigation of people’s painful and self-destructive need to seek approval from false sources of authority. By placing the psycho-social rivalry of two talented but flawed young aspiring sorceresses at its center, the movie argues that genuinely solidarity between them is fundamentally undermined by their individual desires to be seen, recognized, deemed popular or talented by figures of illegitimate authority like the corrupt Wizard of Oz

Sociology · Cinema and Media Studies · Ethics, Aesthetics, and Art · Shakespeare, Adaptation, and Literary Criticism

  • The World Unwraps Itself”

    Charlotte Lilley, Charlotte M Lilley•Canadian Review of American Studies•2025

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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