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Sentimental Solidarities

Dados Bibliográficos

ID21320849
AutoresRebecca Wanzo (autor correspondente)
Ano2021
Volume75
Fascículo2
Páginas89-93
Data de publicação2021-12-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoFilm Quarterly (JOURNAL)
Identificadores do periódicoISSN: 0015-1386 • E-ISSN: 1533-8630
EditoraUniversity of California Press (PUBLISHER • US)
DOI10.1525/fq.2021.75.2.89
OpenAlexW4206081930
IdiomaEN

Film Quarterly columnist Rebecca Wanzo surveys the history of fictional treatments of labor in US television and film and examines the frequently overlooked role played by sentimentality in media representations of labor and union organizing. Noting that sentimentality has been criticized for its deployment of suffering bodies as “other” objects for voyeuristic tears as well as for sometimes collapsing difference in an effort to construct empathy, Wanzo observes that documentary has often been a more welcoming space for the telling of sympathetic narratives about unions than Hollywood fiction films and television. This makes the depiction of labor and union organizing in Wanzo’s two case studies—the sitcom Superstore (NBC, 2015–21) and the primetime soap Homefront (ABC, 1991–93)—all the more exceptional. At a moment when labor issues are more relevant than ever, Superstore shows people why labor loses, but Homefront reminds people why labor won

Aesthetics · Art · Art history · Depiction · Hollywood · Literature · Media studies · Narrative · Parade · Sentimentality · Sociology · Gender, Feminism, and Media · Political and Economic history of UK and US

Velocidade de citaçãohistorical
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