Sentimental Solidarities
Dados Bibliográficos
| ID | 21320849 |
|---|---|
| Autores | Rebecca Wanzo (autor correspondente) |
| Ano | 2021 |
| Volume | 75 |
| Fascículo | 2 |
| Páginas | 89-93 |
| Data de publicação | 2021-12-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Film Quarterly (JOURNAL) |
| Identificadores do periódico | ISSN: 0015-1386 • E-ISSN: 1533-8630 |
| Editora | University of California Press (PUBLISHER • US) |
| DOI | 10.1525/fq.2021.75.2.89 |
| OpenAlex | W4206081930 |
| Idioma | EN |
Film Quarterly columnist Rebecca Wanzo surveys the history of fictional treatments of labor in US television and film and examines the frequently overlooked role played by sentimentality in media representations of labor and union organizing. Noting that sentimentality has been criticized for its deployment of suffering bodies as “other” objects for voyeuristic tears as well as for sometimes collapsing difference in an effort to construct empathy, Wanzo observes that documentary has often been a more welcoming space for the telling of sympathetic narratives about unions than Hollywood fiction films and television. This makes the depiction of labor and union organizing in Wanzo’s two case studies—the sitcom Superstore (NBC, 2015–21) and the primetime soap Homefront (ABC, 1991–93)—all the more exceptional. At a moment when labor issues are more relevant than ever, Superstore shows people why labor loses, but Homefront reminds people why labor won
Aesthetics · Art · Art history · Depiction · Hollywood · Literature · Media studies · Narrative · Parade · Sentimentality · Sociology · Gender, Feminism, and Media · Political and Economic history of UK and US
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |