“We'll Make Magic”
Zen Writers and Autofictional Readers in A Tale for the Time Being
Bibliographic Data
| ID | 21321394 |
|---|---|
| Authors | Marjorie Worthington (corresponding author) |
| Year | 2021 |
| Volume | 54 |
| Issue | 1 |
| Pages | 89-109 |
| Publication date | 2021-04-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Genre (JOURNAL) |
| Journal identifiers | ISSN: 0016-6928 • E-ISSN: 2160-0228 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/00166928-8911524 |
| OpenAlex | W3175819092 |
| Language | EN |
| References cited | 13 |
Ruth Ozeki's novel A Tale for the Time Being is an autofiction—a novel whose protagonist is a characterized version of its author and thereby straddles the line between memoir and fiction. In an American literary context, autofiction is a genre dominated by white male authors. This article argues that Ozeki's approach to autofiction is vastly different from that of most of her white, male counterparts in that the author-character “Ruth” does not lay sole claim to authorial authority, but rather works collaboratively with other characters to share creative power and the responsibility that comes with it. This innovative tactic helps chart a potential course for autofiction by women writers and writers of color
Art · Character (mathematics) · Context (archaeology) · Literature · MAGIC (telescope) · Memoir · Narrative · Power (physics) · Sociology · White (mutation) · Chemistry · Contemporary Literature and Criticism · History · Literature, Film, and Journalism Analysis · Narrative Theory and Analysis
| Highly cited | No |
|---|