The Anime Director, the Fantasy Girl and the Very Real Tsunami
Datos Bibliográficos
| ID | 2133182 |
|---|---|
| Autores | Susan J Napier, Susan Napier (autor de correspondencia) |
| Año | 2012 |
| Volumen | 10 |
| Número | 11 |
| Fecha de publicación | 2012-03-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Japan focus (JOURNAL) |
| Identificadores de la revista | ISSN: 1557-4660 • E-ISSN: 1557-4660 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1557466012015811 |
| OpenAlex | W4410182039 |
| Idioma | EN |
| Citas recibidas | 2 |
Of the many gifted directors within Japanese animation, arguably the most imaginative and certainly the most prolific is Miyazaki Hayao. Miyazaki's works over the last three decades have consistently dealt with catastrophe on both a personal and a universal level, often focusing on young people and their reactions to a devastated world. This paper examines the treatment of disaster in the films, concentrating particularly on his most recent film Gake no ue no Ponyo, (Ponyo). Ponyo is discussed in the context both of Miyazaki's general treatment of disaster and in relation to the tsunami of March 11
Anime · Art · Art history · Developmental psychology · Fantasy · Girl · Literature · Artificial Intelligence in Games · Computer Science · Japanese History and Culture · Psychology · Artificial Intelligence
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2024 - 2025 (2) |
| Velocidad de citación | recent |
| Altamente citado | No |