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Multidirectional Memory, Polyacroasis and (Un)translatability in Antonio Muñoz Molina’s Sefarad

Bibliographic Data

ID21333210
AuthorsDiego Arias Gómez (0000-0002-0936-587X, Universidad San Pablo CEU, corresponding author), David Amezcua (Universidad CEU San Pablo , Avda. Del Valle, 21 , 28003 Madrid Spain)
Year2021
Volume2021
Issue93
Pages36-51
Publication date2021-05-19
Open AccessNo
TypeARTICLE
VenueIberoromania (JOURNAL)
Journal identifiersISSN: 0019-0993 • E-ISSN: 1865-9039
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/iber-2021-0004
OpenAlexW3164523979
LanguageEN
References cited9

The primary aim of this chapter is to analyse the alignment between multidirectional memory and literature. Michael Rothberg’s multidirectional memory model is scrutinized so as to elucidate how this approach works in fiction. The chapter further analyses the rhetorical concept of polyacroasis, proposed by Tomás Albaladejo in 1998 in order to analyse its interlacing with multidirectional memory as well as to demonstrate the manner in which polyacroasis may function as a vehicle of multidirectional memory in literature. On the other hand, the notion of translator as secondary witness (Deane-Cox, 2013; 2017) will be employed so as to examine the role of the author as translator. By means of a case study, Antonio Muñoz Molina’s Sefarad. Una novela de novelas, I will attempt to analyse how the frameworks provided by multidirectional memory and polyacroasis along with the workings of empathy encourage and pave the way to translatability. Similarly, I will examine how the notion of translator as secondary witness functions in a novel like Sefarad taking into account that the author of that novel inscribed his translation into Spanish of passages coming from Holocaust testimonies which were not published in Spain by the time the novel was being written

Art · Inscribed figure · Linguistics · Literature · Order (exchange) · Rhetorical question · Witness · Comparative Literary Analysis and Criticism · History · Memory, Trauma, and Commemoration · Philosophy · Translation Studies and Practices

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  • The Voids of Sepharad

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  • History, Memory, and the Genre of Testimony

    Aleida Assmann•Poetics Today•2006

Highly citedNo

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