The Forms of Authorship in Camilleri
Bibliographic Data
| ID | 21340226 |
|---|---|
| Authors | Francesca Medaglia (0000-0002-7309-893X, Sapienza University of Rome, corresponding author) |
| Year | 2025 |
| Volume | 102 |
| Issue | 2 |
| Pages | 233-247 |
| Publication date | 2025-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Italica (JOURNAL) |
| Journal identifiers | ISSN: 0021-3020 • E-ISSN: 2325-6672 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/23256672.102.2.06 |
| OpenAlex | W7127637256 |
| Language | EN |
| References cited | 2 |
This article aims to analyze Andrea Camilleri's authorship as a form of contemporary metaliterary reflection. To this end, some of his works will be examined, in particular those linked to the presence of his most famous character, Montalbano. Riccardino is the last novel written by Camilleri linked to this character and will constitute the center of the analysis. This novel breaks down the barrier between author and character, as the character attempts to free himself from the control of his author-creator. It features a typologically complex narrative, incorporating innovative storytelling structures
Character (mathematics) · Control (management) · Field (mathematics) · Natural (archaeology) · Storytelling · Italian Fascism and Post-war Society · Italian Literature and Culture · Linguistic Studies and Language Acquisition
| Highly cited | No |
|---|