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Reclaiming Bildung

Else Lasker-Schüler’s Counter-Narrative

Bibliographic Data

ID21360710
AuthorsRebekah Slodounik (Bucknell University, corresponding author)
Year2025
Volume117
Issue1
Pages67-87
Publication date2025-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMonatshefte (JOURNAL)
Journal identifiersISSN: 0026-9271 • E-ISSN: 1934-2810
PublisherUniversity of Wisconsin Press (PUBLISHER • US)
DOI10.3368/m.117.1.67
OpenAlexW4408543084
LanguageEN

This article builds on previous scholarship on Bildung in German and German Jewish literature and culture to argue that the poet and dramatist Else Lasker-Schüler employs and subverts the white supremacist, patriarchal, and heteronormative construct of Bildung . While other scholars have examined Lasker-Schüler’s last drama IchundIch (1940) through the lens of exile, this analysis considers the drama through the perspective of Bildung , thereby recuperating Lasker-Schüler into the broader tradition and discourse of Bildung , which tends to overshadow female writers and, in scholarship, tends to be written primarily by male scholars. Lasker-Schüler’s technique of intertextuality within the play destabilizes this concept of Bildung and functions as a means of critique of the assimilationist force that Bildung sought to offer. Seen in this manner, Lasker-Schüler’s drama produces a counter-narrative that challenges the master plot narrative of Bildung

Art · Bildung · Literature · Narrative · Theology · German Colonialism and Identity Studies · German History and Society · German Literature and Culture Studies · Philosophy

Citation velocityhistorical
Highly citedNo

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