Reclaiming Bildung
Else Lasker-Schüler’s Counter-Narrative
Bibliographic Data
| ID | 21360710 |
|---|---|
| Authors | Rebekah Slodounik (Bucknell University, corresponding author) |
| Year | 2025 |
| Volume | 117 |
| Issue | 1 |
| Pages | 67-87 |
| Publication date | 2025-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Monatshefte (JOURNAL) |
| Journal identifiers | ISSN: 0026-9271 • E-ISSN: 1934-2810 |
| Publisher | University of Wisconsin Press (PUBLISHER • US) |
| DOI | 10.3368/m.117.1.67 |
| OpenAlex | W4408543084 |
| Language | EN |
This article builds on previous scholarship on Bildung in German and German Jewish literature and culture to argue that the poet and dramatist Else Lasker-Schüler employs and subverts the white supremacist, patriarchal, and heteronormative construct of Bildung . While other scholars have examined Lasker-Schüler’s last drama IchundIch (1940) through the lens of exile, this analysis considers the drama through the perspective of Bildung , thereby recuperating Lasker-Schüler into the broader tradition and discourse of Bildung , which tends to overshadow female writers and, in scholarship, tends to be written primarily by male scholars. Lasker-Schüler’s technique of intertextuality within the play destabilizes this concept of Bildung and functions as a means of critique of the assimilationist force that Bildung sought to offer. Seen in this manner, Lasker-Schüler’s drama produces a counter-narrative that challenges the master plot narrative of Bildung
Art · Bildung · Literature · Narrative · Theology · German Colonialism and Identity Studies · German History and Society · German Literature and Culture Studies · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |