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Between Poetry and Music

Delavigne, Lamartine, De Musset and the Poetic Cantata

Bibliographic Data

ID21363894
AuthorsMałgorzata Gamrat (0000-0002-6588-7533, John Paul II Catholic University of Lublin, corresponding author)
Year2025
Volume64
Issue1
Pages1-16
Publication date2025-03-01
Open AccessYes
TypeARTICLE
VenueNottingham French Studies (JOURNAL)
Journal identifiersISSN: 0029-4586 • E-ISSN: 2047-7236
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/nfs.2025.0431
OpenAlexW4409272711
LanguageEN

Research discussed in this article draws together literary history and word-and-music studies to explore the relation between poetry and music in French culture, focusing on the example of a now-forgotten genre, namely the poetic cantata (which comprises many musical elements in accordance with principles set out by Jean-Baptiste Rousseau, a subject discussed in the opening of the text) and transformations within this genre in the nineteenth century (dramaturgically complex works similar to operatic scenes, and simultaneously a return to simple strophic structure). The central section of the article comprises a comparative analysis of two poetic cantatas which were crucial to the development of the genre, written by Casimir Delavigne and Alphonse de Lamartine. Additionally, I discuss a ‘cantata’ written by Alfred de Musset, which constitutes a unique example of how this genre functioned in the second half of the nineteenth century

Art · Literature · Poetry · Historical and Literary Studies · Historical Studies and Socio-cultural Analysis

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