Between Poetry and Music
Delavigne, Lamartine, De Musset and the Poetic Cantata
Bibliographic Data
| ID | 21363894 |
|---|---|
| Authors | Małgorzata Gamrat (0000-0002-6588-7533, John Paul II Catholic University of Lublin, corresponding author) |
| Year | 2025 |
| Volume | 64 |
| Issue | 1 |
| Pages | 1-16 |
| Publication date | 2025-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Nottingham French Studies (JOURNAL) |
| Journal identifiers | ISSN: 0029-4586 • E-ISSN: 2047-7236 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/nfs.2025.0431 |
| OpenAlex | W4409272711 |
| Language | EN |
Research discussed in this article draws together literary history and word-and-music studies to explore the relation between poetry and music in French culture, focusing on the example of a now-forgotten genre, namely the poetic cantata (which comprises many musical elements in accordance with principles set out by Jean-Baptiste Rousseau, a subject discussed in the opening of the text) and transformations within this genre in the nineteenth century (dramaturgically complex works similar to operatic scenes, and simultaneously a return to simple strophic structure). The central section of the article comprises a comparative analysis of two poetic cantatas which were crucial to the development of the genre, written by Casimir Delavigne and Alphonse de Lamartine. Additionally, I discuss a ‘cantata’ written by Alfred de Musset, which constitutes a unique example of how this genre functioned in the second half of the nineteenth century
Art · Literature · Poetry · Historical and Literary Studies · Historical Studies and Socio-cultural Analysis
| Highly cited | No |
|---|