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From the Papers of a Formalist Critic

Kierkegaard's Theory of the Novel

Bibliographic Data

ID21366160
AuthorsClaus Elholm Andersen (corresponding author)
Year2024
Volume57
Issue2
Pages244-261
Publication date2024-08-01
Open AccessNo
TypeARTICLE
VenueNOVEL A Forum on Fiction (JOURNAL)
Journal identifiersISSN: 0029-5132 • E-ISSN: 1945-8509
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/00295132-11186548
OpenAlexW4404556393
LanguageEN
References cited8

This article argues that Kierkegaard is a pioneer when it comes to theorizing about the novel and fiction. In a close reading of From the Papers of One Still Living (1838), the article shows how Kierkegaard in this early work on the novels of Hans Christian Andersen turns to a study of the formal features of the novel to distinguish what—and what does not—make novelistic characters believable and come to life. From here, the article proposes that Kierkegaard's theory of the novel is a theory that equates the novel with its most identifiable characteristic: fictionality

Art · Close reading · Epistemology · Linguistics · Literature · Reading (process) · Theology · Kierkegaardian Philosophy and Influence · Literary and Philosophical Studies · Narrative Theory and Analysis · Philosophy

  • The Distinction of Fiction

    Dorrit Cohn•The distinction of fiction•2000

  • The Rhetoric of Fiction

    Wayne C Booth•The Rhetoric of Fiction•1983

  • Narrative Fiction

    Shlomith Rimmon-Kenan•Narrative Fiction•1983

  • Who Has Fiction? Modernity, Fictionality, and the Middle Ages

    Julie Orlemanski•New Literary History•2019

Highly citedNo
Open DOI
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