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Postcritique and the Poetics of Disagreement in George Eliot's Romola

Bibliographic Data

ID21366252
AuthorsRachel Ablow (corresponding author)
Year2021
Volume54
Issue2
Pages210-226
Publication date2021-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueNOVEL A Forum on Fiction (JOURNAL)
Journal identifiersISSN: 0029-5132 • E-ISSN: 1945-8509
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/00295132-9004477
OpenAlexW3200006275
LanguageEN
Citations received2
References cited35

Research Article| August 01 2021 Postcritique and the Poetics of Disagreement in George Eliot's Romola Rachel Ablow Rachel Ablow RACHEL ABLOW is professor of English at the University at Buffalo, SUNY. She is the author of The Marriage of Minds: Reading Sympathy in the Victorian Marriage Plot (2007) and Victorian Pain (2017). She is the editor of The Feeling of Reading: Affective Experience and Victorian Literature (2010) and a special issue of Representations, "The Social Life of Pain" (2019). She is the coeditor of the journal Victorian Literature and Culture. Search for other works by this author on: This Site Google Novel (2021) 54 (2): 210–226. https://doi.org/10.1215/00295132-9004477 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Rachel Ablow; Postcritique and the Poetics of Disagreement in George Eliot's Romola. Novel 1 August 2021; 54 (2): 210–226. doi: https://doi.org/10.1215/00295132-9004477 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter Books & JournalsAll JournalsNovel Search Advanced Search In the 2017 PMLA forum on her book The Limits of Critique, Rita Felski defends herself against her detractors in the following terms: I've received quite a few e-mails from readers expressing their relief at finding long-simmering frustrations addressed in my book ("cathartic" has been used more than once). Yet others do not see what I see. It is not that they disagree about details or take issue with certain points; rather, the picture I draw makes no sense to them. This reaction surely has something to do with attunement: the extent to which critique . . . can constitute a stylistics of existence . . . such that a proposal to consider alternatives can seem like a threat rather than an invitation. ("Response" 385)Felski here imagines other critics not as agreeing or disagreeing with her but instead as... Copyright © 2021 by Novel, Inc.2021 Issue Section: Articles You do not currently have access to this content

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Unique citing works2
Citations per year1
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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