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Die „Libation des Gottes“ und die Blendung des Kyklopen – Überlegungen zu Euripides’ Kyklops 469–471

Bibliographic Data

ID21370326
AuthorsSebastian Zerhoch (Institut für Religionswissenschaft, Freie Universität Berlin, Fabeckstraße 23–25, 14195 Berlin Freie Universität Berlin Institut für Religionswissenschaft Fabeckstraße 23-25 14195 Berlin Germany, corresponding author)
Year2020
Volume164
Issue1
Pages39-65
Publication date2020-06-03
Open AccessNo
TypeARTICLE
VenuePhilologus (JOURNAL)
Journal identifiersISSN: 0031-7985 • E-ISSN: 2196-7008
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/phil-2018-0024
OpenAlexW2898798841
LanguageDE
References cited13

The comparison by which the Chorus of Satyrs in Euripides’ C yclops 469–471 illustrates its wish to participate in the blinding of the Cyclops is regarded as difficult in research on the play, due to the ambiguous expression ὥσπερ ἐκ σπονδῆς θεοῦ (469). There is no consensus either on the question of how the reference to libation is to be understood, nor on whether the transmitted phrasing is correct at all. In the present paper I attempt to show that doubts over the transmission are unfounded and that attempts to refer the comparison not to libation but to the ritual use of water for handwashing at sacrifice are not persuasive. Rather, Euripides in this passage is engaging with the theme of libation on several levels of meaning: when we pay close attention to the context, cult-specific associations and literary applications of libation as a motif in Homer and Aristophanes, the words of the satyrs can be read, firstly, as a metaphorical reference to the two main actions in Odysseus’ plan for revenge, and secondly as a subtle allusion to the use of libation and spit-roasting in sacrificial ritual

Allusion · Art · Epistemology · Literature · Meaning (existential) · Archaeology and Historical Studies · Classical Antiquity Studies · Historical, Religious, and Philosophical Studies · Philosophy

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Highly citedNo

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