Reiner Schürmann at the Painter’s Atelier
Bibliographic Data
| ID | 21372137 |
|---|---|
| Authors | Márcia Sá Cavalcante Schuback (0000-0002-4153-1428, corresponding author) |
| Year | 2024 |
| Volume | 68 |
| Issue | 4 |
| Pages | 845-856 |
| Publication date | 2024-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Philosophy Today (JOURNAL) |
| Journal identifiers | ISSN: 0031-8256 • E-ISSN: 2329-8596 |
| Publisher | Philosophy Documentation Center (PUBLISHER • US) |
| DOI | 10.5840/philtoday2024123557 |
| OpenAlex | W4405025599 |
| Language | DE |
The article discusses the aesthetic dimension of Reiner Schürmann’s thoughts on tragic differing, which he connected to the birth of light and colors in abstract painting. It raises the question of tragic blindness and visibility, the play of light and darkness, and moreover the sacrifice of the beautiful in present times. Focusing specifically on the few texts written by Schürmann on Louis Comtois’s abstract painting and on his readings of tragic differing in the poem by Parmenides, the article presents a meditation on the right to beauty in dark times
Art · Art history · Painting · Art History and Market Analysis · Art, Aesthetics, and Perception · Libraries and Information Services · Philosophy
| Highly cited | No |
|---|