Julian Przyboś – poeta nie-„prześnionej rewolucji”
Bibliographic Data
| ID | 21374274 |
|---|---|
| Authors | Krzysztof Obremski (0000-0001-6164-9207, Nicolaus Copernicus University, corresponding author) |
| Year | 2020 |
| Pages | 49-64 |
| Publication date | 2020-05-13 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Przegląd Humanistyczny (JOURNAL) |
| Journal identifiers | ISSN: 0033-2194 • E-ISSN: 2657-599X |
| Publisher | University of Warsaw (PUBLISHER • PL) |
| DOI | 10.32798/2657-599x.ph.2020-1.4 |
| OpenAlex | W3033279521 |
| Language | EN |
| References cited | 2 |
Andrzej Leder’s monograph Prześniona rewolucja. Ćwiczenia z logiki historycznej [Sleepwalking the Revolution. An Exercise in Historical Logic] allows us to look at Julian Przyboś in a new perspective, which at least in part removes the communist label from the co-author of the anthology of revolutionary poetry Wzięli diabli pana [The devils have taken the lord] (1955) and thus forces us perhaps even to abandon the “white and red” perception of the 20th-century life stories of Poles. Aware of the historical significance, the poet would not say about the post-war social revolution, “It just happened”
Art · Art history · Communism · Literature · Perspective (graphical) · Poetry · Political science · Politics · Visual arts · White (mutation) · Central European Literary Studies · History · Law · Polish Historical and Cultural Studies · Polish-Jewish Holocaust Memory Studies
| Highly cited | No |
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