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The Changing 'Life' of the Buffalo/Cow Horns and New Methods of Adaptation by Carvers/Patrons in the Grassfields, Cameroon

Bibliographic Data

ID2137730
AuthorsMathias Alubafi Fubah (University of the Witwatersrand, corresponding author)
Year2014
Volume73
Issue1
Pages41-57
Publication date2014-01-02
Open AccessNo
TypeARTICLE
VenueAfrican Studies (JOURNAL)
Journal identifiersISSN: 0002-0184 • E-ISSN: 1469-2872
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00020184.2014.887745
OpenAlexW2019978715
LanguageEN
Citations received2
References cited17

The appropriation and adoption of aesthetics that retain close relation to the past is one notable reason for the survival of the drinking horn and its associated rituals in the Grassfields. Not only are foreign aesthetics such as images of Bruce Lee and flower design depicted on cow horns to associate the horns with the notion of the wilderness, typical of Grassfields carvings, but it is claimed that without the representation of aspects of the wilderness on drinking horns, the production and exchange of the drinking horn would certainly cease to exist. In other words, the survival of traditional ways and means of producing and exchanging the drinking horn in the Grassfields is a result of the continuous appropriation and adoption of foreign aesthetics that are faithful to the ancestral values of the region. Drawing on research on the drinking horn, this article examines the processes involved in the production and exchange of the drinking horn in present-day Grassfields society. The article shows that the appropriation and adoption of foreign aesthetics that retain close relation with the past is indeed one of the main reasons for the survival of the drinking horn, and by extension religious rituals associated with the horn

Aesthetics · Ancient history · Appropriation · Art · Biology · Ethnology · French horn · Indigenous · Linguistics · Political science · Politics · Relation (database · Representation (politics · Sociology · Wilderness · Anthropological Studies and Insights · Archaeology and Rock Art Studies · Computer Science · Cultural Heritage Management and Preservation · History · Law · Philosophy

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    Open Access•Mathias Fubah Alubafi, Chammah J Kaunda•HTS Teologiese Studies /…•2019

  • The shifting iconography of drinking horns in the Western Grassfields, Cameroon

    Open Access•Mathias Fubah Alubafi, Molemo Ramphalile et al.•Cogent Social Sciences•2017

  • Perspectives on Africa

    Christopher B Steiner, Roy Richard Grinker•Perspectives on Africa•1997

  • African Material Culture

    Christraud M Geary, Mary Jo Arnoldi et al.•African Material Culture•1996

  • The Social Life of Things

    Open Access•Arjun Appadurai•Social Life of Things•1986

  • The Invention Of Tradition

    Eric Hobsbawm, Terence O Ranger•Invention of Tradition•2012

  • Plundering Africa's Past

    Peter R Schmidt, Peter Schmidt et al.•Plundering Africa's past•1996

  • Legitimacy and the State in Twentieth-Century Africa

    Open Access•A H M Kirk-Greene, Terence O Ranger et al.•Legitimacy and the State in…•1993

  • Contemporary African Art

    Kate Ezra, Sidney Littlefield Kasfir•African Arts•2001

  • Bamum Thrones and Stools

    Christraud Geary•African Arts•1981

  • Wild Spirits, Strong Medicine

    T O Beidelman, Patrick R Mcnaughton et al.•African Arts•1990

  • Containers of Life

    Silvia Forni•African Arts•2007

  • Bamum Two-Figure Thrones

    Christraud Geary•African Arts•1983

  • Contemporary African Art

    Open Access•Abdou Sylla•Diogenes•1998

  • Title Cups and People. Relationships and Change in Grassfields Art

    Mathias Alubafi, Mathias Fubah Alubafi et al.•Anthropos•2012

  • Air Youth

    Nicolas Argenti•Journal of the Royal Anthropologica…•1998

Citations per year0.22
Citation span2017 - 2019 (3)
Highly citedNo

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