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Balzac’s Views on Meaning of Music and in Music

Bibliographic Data

ID21389621
AuthorsMałgorzata Gamrat (0000-0002-6588-7533, John Paul II Catholic University of Lublin, corresponding author)
Year2024
Volume72
Issue12 Zeszyt specjalny
Pages189-199
Publication date2024-08-23
Open AccessYes
TypeARTICLE
VenueRoczniki Humanistyczne (JOURNAL)
Journal identifiersISSN: 0035-7707 • E-ISSN: 2544-5200
PublisherTowarzystwo Naukowe KUL (PUBLISHER • PL)
DOI10.18290/rh247212sp.15
OpenAlexW4401828688
LanguageEN

This paper aims to demonstrate how music and its signification have been interpreted in literary works. Two texts by Balzac will be used as examples. They interpret meaning in music and present the mechanisms by which individual significance becomes attached to musical works. In the novel La Duchesse de Langeais, the author carefully reconstructs the process of connections arising between music, emotions, and memories, which turns a musical work into a memory sign in the minds and lives of individuals. In the short story Massimilla Doni Balzac analyses the score of Rossini’s Mosè in Egitto (1818)—elements such as instrument and musical key symbolism as well as the music’s impact on listeners. Both literary works present music as an aspect of human communication, consisting of signs, symbols, and codes that support verbal senses or operate beyond the limits of what words can convey

Aesthetics · Art · Literature · Meaning (existential) · Psychotherapist · Visual arts · French Literature and Poetry · Musicology and Musical Analysis · Psychology · Visual Culture and Art Theory

Highly citedNo

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