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Escaping the Tyrannies of Geopolitical Space

Cuban Artists and Curators Operating Outside the Parameters of Sanctioned Institutions

Bibliographic Data

ID21390008
AuthorsAnalays Alvarez Hernandez (0000-0002-5534-042X, Université de Montréal), Amilcar Oscar Herrera (0009-0009-1456-2323, University of Colorado Colorado Springs)
Year2024
Volume72
Issue11
Pages7-28
Publication date2024-12-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRoczniki Humanistyczne (JOURNAL)
Journal identifiersISSN: 0035-7707 • E-ISSN: 2544-5200
PublisherTowarzystwo Naukowe KUL (PUBLISHER • PL)
DOI10.18290/rh247211.1
OpenAlexW4405701784
LanguageEN

In this essay, we examine the themes of cultural transmission, transformation, and exchange within a transnational and trans-local framework. We specifically focus on Cuban cultural production on and off the island through its visual arts. Through a transtemporal and transgenerational perspective, we explore the artwork, exhibitions, and “institutions” produced by key Cuban diasporic artists Leandro Soto and Carlos Cárdenes and curator Solveig Font. They have successfully established themselves domestically and internationally outside of sanctioned cultural and state institutions by creating transnational and transcultural modes of production and exchange. We envision, therefore, the boundaries of Cuban art, artists, and curators as a network that includes the Cuban diaspora and its multiple, sometimes contradictory or antagonistic, but not less emotionally charged, relationships with the island. Cubanness thus extends beyond the limits of the nation-state and enters a state of perpetual becoming

Art · Art history · Geopolitics · Media studies · Political science · Politics · Sociology · Space (punctuation) · Visual arts · Computer Science · Cuban History and Society · Law

Citation velocityhistorical
Highly citedNo

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