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China’s “Not So Detached from Reality” Literary Avant-Garde

Su Tong and His Subversive Opposition to Communist Ideology

Bibliographic Data

ID21390116
AuthorsKatarzyna Sarek (0000-0002-4298-6301, Jagiellonian University, corresponding author)
Year2023
Volume71
Issue9
Pages59-71
Publication date2023-10-24
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRoczniki Humanistyczne (JOURNAL)
Journal identifiersISSN: 0035-7707 • E-ISSN: 2544-5200
PublisherTowarzystwo Naukowe KUL (PUBLISHER • PL)
DOI10.18290/rh23719.4
OpenAlexW4388980738
LanguageEN
References cited9

Individualistic and non-political. While it is true that these writers focused on the individual and experimented with stylistic techniques, they did not completely disconnect themelves from China’s political and social realities. Su Tong’s works, for instance, challenge the communist ideology and explore contemporary Chinese history through personal experiences. His characters may appear to be stereotypes, but their relationships defy clichés, and the stories reveal the destructive power of hatred. Furthermore, Su Tong’s portrayal of rural-urban migration expresses individual helplessness, and his depiction of cities as corrupt and crime-ridden questions the success of China’s efforts at modernisation

Aesthetics · Art · China · Communism · Depiction · Hatred · Ideology · Individualism · Literature · Modernization theory · Opposition (politics) · Political science · Politics · Sociology · Asian Culture and Media Studies · Chinese history and philosophy · Gender Studies · Japanese History and Culture · Law

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Citation velocityhistorical
Highly citedNo

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