“Fliehen. Flüchten. Davon. Eilen. Stürmen”
Stumbling towards the Future in Marlene Streeruwitz’s Die Schmerzmacherin
Bibliographic Data
| ID | 21393035 |
|---|---|
| Authors | Alexander Draxl (Princeton University, Princeton, New Jersey, United States, corresponding author) |
| Year | 2024 |
| Volume | 60 |
| Issue | 2 |
| Pages | 87-107 |
| Publication date | 2024-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Seminar A Journal of Germanic Studies (JOURNAL) |
| Journal identifiers | ISSN: 0037-1939 • E-ISSN: 1911-026X |
| Publisher | University of Toronto Press Inc. (UTPress) (PUBLISHER) |
| DOI | 10.3138/seminar.60.2.1 |
| OpenAlex | W4396821797 |
| Language | DE |
| References cited | 19 |
The crises of recent years have engendered increasingly bleak visions of the future. This development challenges us to rethink our understanding of hope and futurity, and Marlene Streeruwitz’s 2011 novel Die Schmerzmacherin. takes an important step in this direction. Amy Schreiber, the novel’s young and existentially disoriented protagonist, trains at a security agency, learning to plan and control the future. But Amy keeps tripping over her own feet; her unsteady gait keeps throwing her off course. This article argues that Streeruwitz’s novel employs stumbling as an aesthetic device to expose the conceptual pitfalls of modern notions of the future. By discussing this poetics of stumbling, the article explores the double binds of modern security politics, the tensions between security and care, the unsustainability of societal expectations of success, and the subversive potential of errancy and failure. In Die Schmerzmacherin., stumbling represents an antidote to traditional utopian visions: a sober form of hopefulness that draws on the power of discord and disruption
Art · Art history · Die (integrated circuit) · Engineering · German Colonialism and Identity Studies · German History and Society · Literature and Cultural Memory · Mechanical Engineering
| Citation velocity | historical |
|---|---|
| Highly cited | No |