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Reinterpreting Adire Cloth in Northern Nigeria

Bibliographic Data

ID21404751
AuthorsElisha P Renne (0000-0003-4505-1402, Schlumberger (Ireland), corresponding author)
Year2020
Volume51
Issue1
Pages60-85
Publication date2020-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTextile History (JOURNAL)
Journal identifiersISSN: 0040-4969 • E-ISSN: 1743-2952
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00404969.2020.1747372
OpenAlexW3032933986
LanguageEN
Citations received3

In the 1930s, the demand for adire cloth led to its subsequent production in northern Nigeria. Yoruba adire cloths were reinterpreted by Hausa adire makers who developed their own attractive, named patterns. When the Nigerian economy improved and industrially-printed cotton textiles became more accessible in the 1970s, Hausa women largely abandoned adire cloths for manufactured cotton prints. However, tourist demand for adire cloths and changing fashion tastes for newer adire styles have supported their continued creation, particularly in Kano. While political and economic circumstances have reduced adire production, these textiles continue to have sociocultural significance in twenty-first-century northern Nigeria

Agriculture · Archaeology · Art · Economics · Economy · Geography · Hausa · Political science · Politics · Sociocultural evolution · Sociology · Subsistence agriculture · Tourism · Yoruba · Anthropology · Fashion and Cultural Textiles · Law

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Unique citing works3
Citations per year0,75
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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