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True Grit

Dirt, Subjectivity and the Female Body in Contemporary Westerns

Bibliographic Data

ID21408013
AuthorsJordan Savage (University of Essex, corresponding author)
Year2020
Volume68
Issue1
Pages53-66
Publication date2020-03-26
Open AccessNo
TypeARTICLE
VenueZeitschrift für Anglistik und Amerikanistik (JOURNAL)
Journal identifiersISSN: 0044-2305 • E-ISSN: 2196-4726
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/zaa-2020-0006
OpenAlexW2994789490
LanguageEN
Citations received1
References cited6

This article considers the significance of dirt to three Western texts: Lonesome Land , Mudbound , and Brokeback Mountain . The overall argument is that the more complicated and ambiguous dirt is permitted to be, the more imaginative and critical potential it has for the iconography of the contemporary Western. Taking B.M. Bower’s 1912 Western Romance as a model, it is argued that the dirt aesthetic is crucial to how Westerns construct the myth of the American character. This is further complicated by intersections between representations of the White rural poor, women (as for both Lonesome Land and Mudbound , there are connotations of sexual impurity in the dirty White female body), and representations of queerness. In the two versions of Brokeback Mountain , Annie Proulx’s short story and Ang Lee’s film, we see the ambiguity of dirt: it can be read as an essential part of the American land, or as polluting waste matter. The critical framework draws on feminist history and criticism via Kathleen Healey and Phyllis Palmer; sociological theories of imagining poverty in North America via Kate Cairns and Winfried Fluck; and queer theory via Christopher Schmidt

Aesthetics · Art · Art history · Criticism · Dirt · Epistemology · Geography · Iconography · Literature · Queer · Romance · Sociology · Subjectivity · White (mutation) · Cultural History and Identity Formation · Gender Studies · Historical Gender and Feminism Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Philosophy

  • From Painting to Cinema

    Open Access•Olga Kosachova•Arts•2025

  • “‘The Mighty Meaning of the Scene’” Feminine Landscapes and the Future of America in Margaret Fuller’s Summer on the Lakes, in 1843

    Open Access•Kathleen Healey•Humanities•2019

  • Close Range

    Rita D Jacobs, Annie Proulx•World Literature Today•2000

  • Youth, Dirt, and the Spatialization of Subjectivity

    Open Access•Kate Cairns•The Canadian Journal of Sociology•2013

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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