The Double Entendre of Paul’s Trade as σκηνοποιός (Acts 18
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Bibliographic Data
| ID | 21411675 |
|---|---|
| Authors | W Gil Shin (0000-0003-1445-7565, School of Theology, Fuller Theological Seminary Pasadena, California USA, corresponding author) |
| Year | 2021 |
| Volume | 64 |
| Issue | 1 |
| Pages | 36-53 |
| Publication date | 2021-12-13 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Novum Testamentum (JOURNAL) |
| Journal identifiers | ISSN: 0048-1009 • E-ISSN: 1568-5365 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/15685365-bja10005 |
| OpenAlex | W4200362626 |
| Language | EN |
The word σκηνοποιός (Acts 18:3), a hapax legomenon, has been the subject of intense scrutiny because it may disclose the socio-economic nature of Paul’s trade. However, attempts to reconstruct historically his trade have not confidently identified its accurate historical reference. Since this difficulty derives from Luke’s choice of vocabulary—he uses a word that is very rare in the canon of Greco-Roman literature—this study attends to the word’s rhetorical setting that may explain Luke’s lexical choice. This choice would enhance the word’s symbolic value although weakening its referential value. Σκηνοποιός is plausibly an instance of Lukan etymological wordplay that draws on the continued symbolism of σκηνή in Luke-Acts—a term that captures Luke’s restoration eschatology
Art · Biblical studies · Eschatology · Linguistics · Literal (mathematical logic) · Literature · Rhetorical question · Scrutiny · Subject (documents) · Theology · Value (mathematics) · Word (group theory) · Archaeology and Historical Studies · Biblical Studies and Interpretation · Historical and Linguistic Studies · History · Philosophy
| Highly cited | No |
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