Adaptation studies on Netflix
Approaches for theorizing streaming platforms
Bibliographic Data
| ID | 21429493 |
|---|---|
| Authors | Débora Spacini Nakanishi (0000-0001-9316-6197, Universidade Estadual Paulista (Unesp), corresponding author) |
| Year | 2024 |
| Volume | 77 |
| Pages | 1-18 |
| Publication date | 2024-11-08 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Ilha do Desterro A Journal of English Language Literatures in English and Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 0101-4846 • E-ISSN: 2175-8026 |
| Publisher | Universidade Federal de Santa Catarina (UFSC) (PUBLISHER) |
| DOI | 10.5007/2175-8026.2024.e98153 |
| OpenAlex | W4408895580 |
| Language | EN |
This paper provides an introduction to Netflix and the practices of streaming services as remediation of older media, such as television and cinema. As a new medium, Netflix presents specificities in many aspects, from production to distribution and reception. This work intends to approach those characteristics from the perspective of Adaptation Studies, taking into consideration the negotiations between older and new media, which can both support and challenge concepts in our field of studies. It reflects on Anne with an E (literary adaptation), La Casa de Papel (format adaptation), Fuller House (post-literary adaptation), Black Mirror: Bandersnatch (meta-commentary) and Criminal (intramedial adaptation). In the last section, we propose three possible approaches for future works on streaming platforms: choices and processes of adaptation; adaptation as a tag genre; and new strategies of storytelling through technological features. Those are not exhaustive and should be understood as a start point for a much-necessary conversation on theorizing streaming platforms
Adaptation (eye) · Linguistics · Sociology · Cinema and Media Studies · Computer Science · Media Studies and Communication · Philosophy · Psychology · Sexuality, Behavior, and Technology
| Citation velocity | historical |
|---|---|
| Highly cited | No |