Cidade Sonora
Interface entre arquitetura, música e artes visuais
Bibliographic Data
| ID | 21432008 |
|---|---|
| Authors | Guilherme Peluci de Castro, Gabriel Rossetto Amorim (0009-0004-1452-1859), Pedro De Souza (0000-0002-4941-5827), Pedro de Grammont e Souza |
| Year | 2025 |
| Volume | 25 |
| Issue | 1 |
| Pages | 233-268 |
| Publication date | 2025-09-23 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Música (JOURNAL) |
| Journal identifiers | ISSN: 0103-5525 • E-ISSN: 2238-7625 |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/issn.2238-7625.rm.2025.237447 |
| OpenAlex | W4414601344 |
| Language | EN |
This article proposes an investigation into the use of graphic scores as an intersection between the fields of music, visual arts, and architecture. We analyze the piece Cidade Sonora — composed in 2022, based on architectural façades in São Paulo — as an example of synesthetic creation and interpretation, bringing different possibilities of musical notation, with a methodology of symbolic transposition from the graphic plane to the sonic/gestural plane, associated with gestures of Conduction (MORRIS, 2017), Soundpainting (THOMPSON, 2006), and Ritmo y Percusión con Señas (VÁZQUEZ, 2013)
Field (mathematics) · Gesture · Intersection (aeronautics) · Musical · Plane (geometry) · The Symbolic · Architecture and Art History Studies · Architecture, Art, Education · Architecture, Modernity, and Design
| Highly cited | No |
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