Som não é uma coisa em si, e sim o transporte de coisas que vazam
Bibliographic Data
| ID | 21432088 |
|---|---|
| Authors | Rodolfo Caesar (0000-0003-0654-4802, Universidade Federal do Rio de Janeiro, corresponding author) |
| Year | 2020 |
| Volume | 20 |
| Issue | 1 |
| Pages | 295-308 |
| Publication date | 2020-07-09 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista Música (JOURNAL) |
| Journal identifiers | ISSN: 0103-5525 • E-ISSN: 2238-7625 |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/rm.v20i1.170730 |
| OpenAlex | W3047208571 |
| Language | PT |
| Citations received | 3 |
| References cited | 5 |
The listening experience has been studied and described in ways that it is almost as if one could ‘see' sounds as objects flying in a space - most of them fortunately unidentified. I will juxtapose a few propositions which, for some years, I have been dealing with and writing about, trying to sum these articles’ intentions in one and the same: to prevent us against the faith on the neutrality and the universality of cultural constructed perceptions, and to recover a more wholesome mode of listening - if not in the general day-to-day life, at least in the artistic field
Art · Humanities · Cybernetics and Technology in Society · Media, Communication, and Education · Music Technology and Sound Studies · Philosophy
| Citations per year | 0.6 |
|---|---|
| Citation span | 2021 - 2025 (5) |
| Highly cited | No |