Modern Chinese Ink Painting” by Qu Leilei
Bibliographic Data
| ID | 21440427 |
|---|---|
| Authors | Vera Belozerova (0000-0002-1128-6054, National Research University Higher School of Economics, corresponding author) |
| Year | 2021 |
| Issue | 1 |
| Pages | 157 |
| Publication date | 2021-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Problemy Dalnego Vostoka (JOURNAL) |
| Journal identifiers | ISSN: 0131-2812 • E-ISSN: 2712-9098 |
| Publisher | The Russian Academy of Sciences (PUBLISHER) |
| DOI | 10.31857/s013128120013895-5 |
| OpenAlex | W3134540259 |
| Language | EN |
The term "modern Chinese ink painting" refers to the latest trends in Chinese painting that combine Guohua painting with Western modernist styles. This article is the first attempt in Russian art criticism to analyze the problems of interaction between monochrome ink painting and the art world of the West through the work of a prominent propagandist of Chinese painting in the West, the artist Qu Leilei (born in 1951). European images and themes in the works of qu Leilei open up new expressive possibilities of traditional ink to Chinese and European viewers
Art · Art history · China · Chinese art · Chinese painting · Criticism · Literature · Modern art · Monochrome · Painting · Performance art · Visual arts · Artificial Intelligence · Chinese history and philosophy · Computer Science · Digital Media and Visual Art · History · Sustainable Urban and Rural Development
| Highly cited | No |
|---|