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The “Gibson Les Paul” Guitar—Conception, Prototype and Production

A Study Through Counterfactuals

Bibliographic Data

ID21444913
AuthorsDarryl Martin (University of South Dakota, corresponding author)
Year2024
Volume43
Issue2-3
Pages114-140
Publication date2024-07-02
Open AccessNo
TypeARTICLE
VenueJournal of Musicological Research (JOURNAL)
Journal identifiersISSN: 0141-1896 • E-ISSN: 1547-7304
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01411896.2024.2376347
OpenAlexW4401566976
LanguageEN

The use of counterfactuals (“what-ifs”) has been a recognized approach in some fields within the humanities, in particular military history, where alternate scenarios can be readily proposed. As an approach it has also been used in fields such as the study of economics, and—much less so—in art history. This article will consider the violin and the piano, and then concentrate on a more modern—and, as such, better documented—example of the Gibson “Les Paul” model electric guitar to assess whether various decisions have had a major bearing on the business success of the model

Art · Art history · Counterfactual conditional · Counterfactual thinking · Economics · Epistemology · Guitar · Management · Piano · Production (economics) · Violin · Visual arts · Art History and Market Analysis · Computer Science · Engineering · Philosophy

Highly citedNo

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