Cuts and Controversy in Pre-Code Hollywood Horror
The Case of James Whale’s Frankenstein and The Bride of Frankenstein
Bibliographic Data
| ID | 21451039 |
|---|---|
| Authors | Fran Pheasant‐Kelly (0000-0002-3647-5388, University of Wolverhampton, corresponding author), Frances Pheasant-Kelly |
| Year | 2026 |
| Volume | 46 |
| Issue | 2 |
| Pages | 478-505 |
| Publication date | 2026-04-03 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Historical Journal Of Film Radio and Television (JOURNAL) |
| Journal identifiers | ISSN: 0143-9685 • E-ISSN: 1465-3451 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01439685.2025.2593316 |
| OpenAlex | W4416665485 |
| Language | EN |
This essay addresses the cuts and controversy associated with James Whale’s Frankenstein1 and The Bride of Frankenstein2 through archival material connected to their production, censorship, distrib
Bride · Hollywood · Performance art · Yankee · Cinema and Media Studies · Gothic Literature and Media Analysis · Science Education and Perceptions
| Highly cited | No |
|---|