Ronald and Catherine Berndt's Fieldwork Drawings

Material Sites of Ethnographic Encounter

Bibliographic Data

ID2145171
AuthorsSiti Sarah Ridhuan (0000-0003-4396-2608, The University of Western Australia, corresponding author)
Year2022
Volume32
Issue2
Pages138-157
Publication date2022-04-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAnthropological Forum (JOURNAL)
Journal identifiersISSN: 0066-4677 • E-ISSN: 1469-2902
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00664677.2022.2100316
OpenAlexW4295878714
LanguageEN
References cited17

This article examines the role of drawings in the fieldwork careers of Australian anthropologists Ronald and Catherine Berndt. This investigation originates from the Berndt Museum of Anthropology at the University of Western Australia, which the Berndts established as the Anthropology Research Museum in 1976 to house materials collected during their ethnographic research. I make use of the Museum’s archive to contextualise three key sets of drawings: the 1945 Birrindudu crayon drawings (around 811 items), the 1945 Katherine ochre drawings (9 items) and the 1947 Yirrkala crayon drawings (365 items). In doing so, I argue that positioned as material sites of ethnographic encounter, these drawings reveal processes of dialogue and exchange that were navigated and shaped by the realities of being ‘in the field’

Art · Ethnography · Sociology · Visual anthropology · Visual arts · Anthropology · Anthropology: Ethics, History, Culture · History · Museums and Cultural Heritage · Pacific and Southeast Asian Studies

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