Creative Critical Representation of the Choreographer’s Creation Process
Bibliographic Data
| ID | 21454673 |
|---|---|
| Authors | Gemma Collard-Stokes (0000-0001-7798-9169, University of Derby - Department of Hotel, Resort and Spa Management, United Kingdom, corresponding author) |
| Year | 2020 |
| Volume | 43 |
| Issue | 3 |
| Pages | 343-349 |
| Publication date | 2020-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Dance Chronicle (JOURNAL) |
| Journal identifiers | ISSN: 0147-2526 • E-ISSN: 1532-4257 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01472526.2020.1827871 |
| OpenAlex | W3108100368 |
| Language | EN |
This review examines Jonathan Burrows: Towards a Minor Dance, a monography by Daniela Perazzo Domm published within the Palgrave Macmillan’s New World Choreographies series. Perazzo Domm’s first monograph introduces British choreographer Jonathan Burrows, whose work is considered an important contribution to contemporary performance practices’ effort to rethink what constitutes choreography. The review focuses of the books main themes of socio-political creativity and collaboration at the intersection(s) of artist, body and composition. The review observes this through the endeavour to question relational aspects between the writer and the choreographer’s creative process
Aesthetics · Art · Art history · Cartography · Convergence (economics) · Geography · Political process · Political science · Politics · Process (computing) · Representation (politics) · Sociology · Terrain · Visual arts · Computer Science · Diversity and Impact of Dance · Law · Musicology and Musical Analysis · Theatre and Performance Studies
| Highly cited | No |
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