Rewatching with the Gilmore Guys
Rewatch Podcasts and Residual Consumption
Bibliographic Data
| ID | 21456669 |
|---|---|
| Authors | Nicholas F BENSON (0000-0001-8180-4243, corresponding author) |
| Year | 2023 |
| Volume | 91 |
| Pages | 16-26 |
| Publication date | 2023-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Velvet Light Trap (JOURNAL) |
| Journal identifiers | ISSN: 0149-1830 • E-ISSN: 1542-4251 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.7560/vlt9103 |
| OpenAlex | W4320519097 |
| Language | EN |
This article considers Gilmore Guys to be an urtext of rewatch podcasts and uses fan survey responses to situate rewatch podcasts within a set of emerging consumption practices and industrial conditions that blur the lines between television and podcasting, old and new media, and network-era and post-network-era consumption practices. I expand upon Rebecca Williams’s notion of post-object fandom by suggesting that these podcasts restore the ontological security brought about by the absence of the original show. Throughout, I attempt to untangle certain gendered discourses and antagonisms that inevitably emerge in a podcast about men watching a show originally marketed to women, and I suggest that residual modes of consumption can often be entangled with and reproduce gendered assumptions about audience engagement
Advertising · Aesthetics · Art · Business · Consumption (sociology) · Fandom · Media consumption · Media studies · Object (grammar) · Set (abstract data type) · Sociology · Artificial Intelligence · Computer Science · Media Studies and Communication · Radio, Podcasts, and Digital Media
| Highly cited | No |
|---|