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Race and place at the city limits

Imaginative geographies of South Central Los Angeles

Bibliographic Data

ID2147232
AuthorsBenjamin Wiggins (0000-0002-2100-4815), Benjamin L Wiggins (0000-0001-5343-3174, University of Pennsylvania, corresponding author)
Year2016
Volume39
Issue14
Pages2583-2600
Publication date2016-11-13
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEthnic and Racial Studies (JOURNAL)
Journal identifiersISSN: 0141-9870 • E-ISSN: 1466-4356
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01419870.2016.1149595
OpenAlexW2312796266
LanguageEN
Citations received5
References cited17

In the early 1990s, a new cycle of films emerged that depicted complex portrayals of the lives of African-Americans in the neighbourhoods in which they lived. This so-called 'hood genre was quite radical in its foregrounding of structural racism and police violence. But Hollywood's marketing of these films muted this radical content by directly contradicting explicit signifiers in the films' story worlds. While many of the 'hood films take place on the urban fringe and in suburbs, their promotional materials worked to confine the action, to a mythic 'inner city'.This essay studies the two most popular films of the genre, Boyz n the Hood and Menace II Society, to illustrate how 'paratexts' redistricted 'hood films. Through a comparative analysis of the films and their promotional materials, this essay argues Hollywood marketed a racialized 'imaginative geography' for this important genre of African-American cinema

Aesthetics · Art · Art history · Film genre · Foregrounding · Hollywood · Literature · Media studies · Movie theater · Race (biology · Racism · Sociology · Cinema and Media Studies · Gender Studies · Media, Gender, and Advertising · Urban Planning and Governance

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Unique citing works5
Citations per year0,56
Citation span2017 - 2026 (10)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 5

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