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Irish Theatre, Human Rights and Women Changemakers

Bibliographic Data

ID21473180
AuthorsVirginie Roche-Tiengo (Université d'Artois, corresponding author)
Year2025
Volume50-1
Pages15-28
Publication date2025-01-01
Open AccessYes
TypeARTICLE
VenueÉtudes irlandaises (JOURNAL)
Journal identifiersISSN: 0183-973X • E-ISSN: 2259-8863
PublisherOpenEdition (PUBLISHER)
DOI10.4000/144co
OpenAlexW4411259267
LanguageEN

This article explores the theatrical treatment of human rights and the contributions of women playwrights on the Irish stage from the birth of the Irish nation with the creation of the Abbey Theatre in 1904, Field Day Theatre Company in 1980 or Smashing Times Theatre Company in 1991 to more recent productions in 2022; from Lady Gregory, Mary Manning, Dorothy Macardle, Mary Devenport O’Neill, Kate O’Brien to Mary Moynihan and Sinéad McCoole. Then it highlights the importance of Frielian female characters in the debate about human rights as an imaginative understanding of suffering. And finally, it gives an insight into the performativity of equality, rights and values through the medium of voices, bodies and space in relation to women changemakers in Ireland who provide alternative human rights perspectives

Human rights · Irish · Linguistics · Political science · Irish and British Studies · Law · Philosophy · Theatre and Performance Studies

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